
Student fundraising campaign: 5 tips for making your project a success
By Lili Trottier
2026-02-04

By Lili Trottier
2026-02-04
This is the challenge taken up by 15 students in the bachelor's program in création 3D pour le cinéma at the École NAD-UQAC. Their goal: to raise $4,200 to produce a short animated film that lives up to their ambitions.
We interviewed Hichem Mickeal Gervais, team leader of the short film entitled Echoes, to learn about his approach to creating a student fundraising campaign.
Based on the experience of Hichem and his team, here are five tips for any student considering launching their own campaign for a school project.
“My approach began with an analysis of the expenses incurred by projects carried out by students who had graduated in previous years, in order to assess the extent of our own needs.” (Translation)
To obtain this information, Hichem first spoke with former students who had undertaken the same project as him. He also emphasizes the importance of consulting professors, whom he considers key resources.
Comparing his vision to previous projects helped him avoid budget blind spots. This exercise helps identify the investments that have the greatest impact on the final quality of a production.
In his case, the team quickly realized that an original soundtrack designed by a professional greatly contributes to the perception of a more immersive film. The team therefore chose to pay particular attention to this aspect when planning the budget.
If someone gives you $20, do they know exactly what it will be used for?
Show your contributors that every donation has a real impact on the quality of the final project. An effective approach is to justify your costs by specifying the amount allocated to each expense (contest registration fees, soundtrack, etc.), without going into excessive detail. This structure allows donors to understand where their money will go and reinforces the credibility of the campaign.
Setting aside a portion of the budget for contingencies is also common practice and demonstrates careful planning.
The team offers a particularly illuminating example. Their goal is to raise approximately $4,200, distributed strategically:
Sound identity
Original music: $400
Professional dubbing: $400
Sound design and mixing: $1,000
Production
Asset banks and textures: $500
Support
Viewing sessions with mentors: $400
Distribution
International festival submissions: $1,000
Contingency fund
Production contingencies: $500
To accurately determine these amounts, the team relied on testimonials from recent graduates and online data research to simulate different cost scenarios.
In particular, the team analyzed registration fees, deadlines, and distribution conditions for animation festivals. For certain key items, such as dubbing and sound design, the team deliberately used the highest estimates. They then adjusted the figures upon receiving the first submissions.
Finally, the $500 contingency reserve is based on a proportional calculation, representing approximately one-eighth of the initial estimated budget.
The challenge of a fundraising campaign is not always technical. For the team, it's more about the ability to make the project tangible while it's still in development.
By developing a strong visual identity early on in production, the team allowed donors to imagine themselves in the world of the film and thus perceive its potential.
In other words, the campaign should be as compelling as the project itself. Don't wait until your project is completely finalized to start promoting it. A clear and consistent visual direction can already generate interest and strengthen your credibility.
Hichem and his team analyzed several options before deciding on the right financing platform:
“Kickstarter makes visibility difficult because of the large number of campaigns, and we didn't want to limit ourselves to the Quebec audience with La Ruche. GoFundMe seemed interesting to us because of its ease of setup, low fees, and wide audience.” (Translation)
Sometimes, no platform perfectly suits our needs. This was the case for the team, who felt that the GoFundMe platform lacked flexibility in terms of its user interface. To compensate for the lack of customization, the team decided to link the campaign to Behance, in order to offer a more flexible and professional presentation.
In hindsight, another decision would have been made differently:
“Launching the campaign on multiple platforms simultaneously could have helped maximize our visibility. Using a single channel limits our reach.” (Translation)
The platform does not guarantee the visibility of a campaign. This depends primarily on the team's ability to increase the number of points of contact and direct audiences to its project. Diversifying entry points can sometimes make a difference.
Seeking funding can sometimes seem daunting for students who have no experience in budget planning. However, this experience allows them to develop essential skills such as project management and communication.
“Using crowdfunding means we don't have to work overtime in a field that isn't our own, allowing us to devote all that time and energy directly to creating the project instead.” (Translation)
What if your next project could also be crowdfunded?
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The film addresses the universal theme of grief and the difficulty of letting go. It follows a character consumed by guilt, whose emotional state is reflected on screen through a marked evolution of colors and smoke. The team wants to create a universe that is both visual and textured, illustrating the transition from a suffocating world to a form of peace and clarity.
To bring this project up to industry standards, financial support remains essential. Beyond the financial goal, this campaign above all allows the next generation to develop professional reflexes that are already aligned with the realities of the industry.
Every contribution, regardless of its value, directly contributes to the completion of a work carried forward by a new generation of creators.
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Victor Bériau
Technical Director
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Coralie Dubois
Rigger
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Thomas Fréchette
Character Artist
Anne-Frédérique Gagnon
Coordinatrice
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Hichem Mickeal Gervais
Director, Art Director, CFX/Groom Artist
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Simon Henri
Animator
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Nicolas Larochelle
Rigger
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Nicolas Marchildon
Asset Lead (Modeling, Surfacing)
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Rebeca Beatrice Martinez-Bravo
Compositing Artist
Delphine Melançon-Brais
Animation Lead
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Lacramioara Mititelu
Light Artist
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Isabella Ospina
Animator
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Ying Qu
FX Artist
Isabelle Saint-Louis
Animator
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Félix Tremblay
Director, Director of Photography, Environment Artist
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Supervisor
Professor François Lord
Acknowledgments
Adel Abada, Hind Belmahi, Marc Bertrand, Victor Berthiaume, Florence Bichon, Nassim Briedj, Émilie Cayer, Josée Chapdelaine, Amélie Chaput, Louis-Philippe Clavet, Jérémie Dagenais, Blair Dohey, Vincent Fortin, Jean-Marie Gariépy, Christopher Helin, Jean-Gabriel Lalonde (Sound engineer), Anthony La Vigueur (Composer/Musician), Sophie Leblanc, Anne Le Bouyonnec, Benoît Melançon, Benoît Robert, Étienne Rodrigue, Robin Thiriet, Cédric Tremblay, Robin Tremblay, Carlos Valcarcel, team SYNTHÈSE - Pôle Image Québec.